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The Best Video Capture Apps for Your iPhone «iOS & iPhone :: Gadget Hacks



If you have a modern iPhone, you have an excellent video recorder at your disposal. Every iPhone since 6 S has the ability to shoot in 4K resolution, and every new iteration has brought new abilities to the table. But even the best mobile shooter can use a little more help. This is where these video recording apps come in to make sure the footage is as good as possible.

What can third-party video recording apps do? You give all of your iPhone's camera controls to you, not just the few that the native Camera app on iOS can access. Third-party apps can unlock the full potential of your camera. So you have manual control over focus, ISO value, shutter speed, bitrate and more. But it goes beyond that. These apps also provide additional tools that iOS does not use, tools that professional videographers use daily for their work.

The following five apps vary by function and price. No app will work for everyone. For this reason we have divided all the important information into a comprehensive table. Take a look at where each app is on the chart, then look at the breakdown for each app. Both can be used to decide which is best for your projects, such as: Social media videos, home videos, short films or features.

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Comparison chart

Important comparison points

General

  • General Price for the paid version: All Apps to this Article list, whether you have a free version or not, also a paid version. Prices range from $ 2.99 to $ 14.99.
  • Free version available: Does the app have a free version? Only two of the apps on this list do this.
  • Free Trial: If there is a paid pro version, is there a free trial for testing? There is only one app on this list.
  • In-app purchases: Some apps include their paid versions as "in-app purchases," while others include additional functionality in addition to the original payment for the app itself. 19659012] Watermark: If there is a free version, watermarking the stored video is the first thing to worry about. So you should pay better because watermarks will not do you any good, period.
  • Edit Tools: The apps in our list are primarily for content-based content, but some of them also contain editing tools, so you do not have to jump to another app to compose your recordings. Although these tools are not a substitute for a full video editor, they may be helpful if you want to quickly correct, correct, and correct the colors, etc.
  • Commonly Updated: If the app is frequently updated on the App Store this is a good sign It pays off the investment. Most of these apps are just ones that dropped the ball.

Camera Settings

  • Create Presets: Consistency is the key when you take multiple shots and do the same scene, so matching the settings to match can be a waste of time. An app that lets you save your current recording settings as presets means you can quickly and easily access the right recordings.
  • Control shutter speed: The shutter speed indicates how fast the shutter opens and closes when one frame per frame is shot. Normally, you want your shutter speed to be the inverse of the frame rate (for example, 24 frames per second should have a shutter speed of 1/48, 30 frames per second should be 1/60, and so on.)
  • ISO control ] With ISO, the brightness of your video can be electronically controlled. The brighter you go, the more video noise you see. So remember, before you use the setting.
  • Exposure Control: For all video recording apps, you can control the exposure, which is referred to as EV (Exposure Value). – You can increase or decrease the ISO and shutter speed at the same time. Use this option if you want to adjust the overall exposure without having to adjust the ISO and shutter speed independently.
  • Flicker Options: If you record in the US, you need 60 Hz, which you want to use because that's what the US utility users. If you are in other countries where the power supply uses 50 Hz, you should take pictures with this option. If you fire lights in a 50 Hz power grid at 60 Hz, you will flicker on the screen.
  • Set Auto Focus: Automated controls, sometimes referred to as pull-to-point. You can set a start and end point for a tool, in this case focus, so you do not have to touch the controls when focusing on shooting.
  • Auto Zoom: Same as automated focus. In some apps, you can set zoom start and end points that automatically expire during recording, so you do not have to worry about zooming while you're recording.
  • Set Automated ISO: As you might think This setting is similar to Auto Focus and Zoom, where you can automatically drag the ISO controls while shooting.
  • Set Automated Shutter Speed: Follow the steps of Automated Focus, Zoom, and ISO: This control allows you to set automatic start and end points for the shutter speed when shooting.
  • Aspect Ratio: An Aspect Ratio overlays black bars in your viewfinder (such as the screen) to facilitate shooting outside the conventional 16: 9 rectangle that your phone loves can record in aspect ratios like 2: 39: 1, 17: 9 and 4: 3. Each app has several options, while some have more than zero.
  • Crop ratio to aspect ratio: Allows you to automatically crop the video to the selected aspect ratio. Usually, this means that you are still seeing the full screen below the aspect ratio guide, but the final output will be trimmed accordingly.
  • Video-only mode: Smartphone audio can be awful. If you use other audio options, but not external microphones connected to your iPhone, you may want to use this mode to record without sound.
  • Starting / Stopping Recording With Volume Buttons: When you're in the standard camera app with the video option open. You can click the side volume button to start and stop recording. This is handy if you hold the iPhone in a certain way that makes the capture button difficult to reach. This is also a handy option for third-party apps. If this is possible with the app, you can also start and stop recording with the volume buttons on the connected wired headset.
  • Video Timer: A video timer delays recording at a certain time after you tap the record button. This can be especially helpful if you need to film yourself and do not want a lot of material running while you are in position. More unusable footage means more storage is needed.
  • Preventing Accidental Start / Stop: On an iPhone, the touch screen is quite delicate, so it's easy to accidentally tap the Record or Stop button. Imagine you're shooting a big scene that turned out to be perfect just to realize that it stopped in the middle of the shot. Therefore, this setting is useful because you need to press and hold the record button for a long time before starting or stopping recording.
  • Anamorphic Mode: Most large Hollywood movies shoot with anamorphic lenses, where a wide screen is expanded to fill the entire film frame. When editing or projecting with a special lens, the movie returns to the widescreen format. This is done in such a way that overall you have a higher material quality. If you only shoot a wide screen with no anamorphic lens, the film frame has black bars at the top and bottom, and the actual pictures would take up only part of the frame, resulting in a lower overall quality. The same concept applies to iPhone videos. If an anamorphic lens is connected and the anamorphic mode is activated, you can see the aspect ratio of your shot as it should, but the material will be matched to the iPhone's sensor. Without the right lens, the video is distorted. Remember.
  • De-Squeeze Edition: If the app supports anamorphic shooting, does it also support squeezing the video while saving your iPhone's memory? This means that once your video is crushed, it looks like a traditional video file without stretching or manipulating. For apps that do not provide this option, you'll need to express the footage with another app to make it usable.
  • Rotate / Rotate: Some apps allow you to rotate or rotate the video natively on the screen. This translation is important when using certain DSLR lenses with your iPhone. When used with a DSLR, these lenses rotate the image to work with the insides of the DSLR so that they are displayed and recorded properly. When you use these lenses with your iPhone, the image is displayed upside down. If you prematurely turn the video over in the app, this issue will be resolved.
  • Level (tilt indicator): A tilt indicator is a tool that is displayed on the screen to maintain the shot level and maintain balance. If you unconsciously tilt the camera out of axis, this tool alerts you that you are unbalanced and returns you to a completely flat orientation.
  • Overlay Guides: Overlay guides such as tilt indicators help you keep your shot just right. Guides can range from simple lines to help you narrow creatives to the standard "one-third rule," while others provide dense rasters for professional framing.
  • Enable / Disable EIS: New iPhones come with EIS or EIS form Electronic Image Stabilization, which attempts to use software to correct blurred video. For some apps, you can disable this option. This is useful when using a gimbal or other external stabilizer. With no app, you can disable OIS or optical image stabilization on the iPhone, which would also be helpful when using a portable gimbal or stabilizer.
  • Take a photo in Video mode: You can do it with the standard app on your iPhone Take a still image while you capture a video. This is useful if you take pictures in advance to get a feel for the necessary maneuvers and at the same time take pictures of what the director will look like. It's also great for promotional purposes to get a quick snapshot while shooting, so you do not have to take extra shots just for stills. If this is possible in an app, you can expect it to work just like the native camera app on your iPhone. When shooting in 4K resolution, still images are about 8 MP. If you record at lower resolutions, the quality is lower.
  • Time Lapse: Accelerated footage over one day is created with time-lapse photography, which allows you to capture one frame per second or frame every 5 minutes. When you play the pictures together, the events are accelerated, indicating that the time has passed very visually. Some apps offer the same controls as the native camera app, while others go beyond that.
  • Select the lens to use: Your iPhone has up to two rear camera lenses, depending on the model. Can you choose at any time with the app, with which lens you want to photograph? This is especially useful when using external lenses because you can only mount one lens to a lens, and this is the lens you want to select.
  • Automatically changing the lens: Like the native camera app, does the app change the lenses when zoomed, depending on the light level? This can have a positive effect but is usually considered a disadvantage as it eliminates the need for manual lens control and changes the appearance of your video as you shoot. However, we seldom see this, so it is not a big problem for the fight.
  • Hide Capture UI: If you are actually capturing footage, you probably already have all the settings you want, as you wish. So, if you focus on what's in front of the camera, it may be more important to press on capture. Most apps on this list allow you to hide on-screen items that you do not need to film (manually or automatically).
  • Built-in accessory: All apps should support accessories like gimbals Some lenses have built-in in-app support that lets them control the app or vice versa. This support is for these devices and therefore provides full compatibility.
  • Remote Control App: When you are in front of the camera or when you place the video camera in a location where it is difficult to navigate and operate the controls, a remote control is helpful. It's possible that all these apps can start and stop recording with a cheap Bluetooth remote, but only one app in this list has a feature-rich remote that lets you control virtually anything from another iOS device.

Resolution Presets and Frame Rates

  • 4K Max: This is a unique resolution setting for ProCam 6 that captures high-resolution photos and combines them in superior 4K resolution. How the effect works is up for debate. Since pictures are taken, the number of frames per second is limited to 24, 25 or 30.
  • 4K: This refers to the best quality iPhone can use by default – Ultra High Definition – 4032 x 2268 pixels. The iPhone offers 4K recordings at 60 frames per second and the apps on this list can not help it. The frame rate at this resolution is a maximum of 60 frames per second.
  • 3K: This is not a very common term, but Filmic Pro calls it that we just want to do it and stick to it. Usually these are 3100 x 1800 pixels or 1800p, but another app is similar at 3264 x 1836. The frame rate is 60 fps for this resolution.
  • 2K: Just like 3K, 2K is not used very often to describe this level or resolution for video recording. Filmic Pro describes 2560 x 1440 or 1440p. However, this is more like 2.5K if you want to work technically. Another app is closer to 2K at 2048 x 1152 pixels. This should only be used if you want to use a typical format. The frame rate is 60 frames per second for this resolution.
  • 1080p: This is your usual Full HD 1920 x 1080 resolution and is used by almost anyone for videos displayed on cell phones and televisions, whether they are social media or video TV show is about. The frame rate can be between 24 and 240 fps.
  • 720p: This is the beginning of high definition at 1280 x 720 pixels and is supported by most devices. However, if you want to record in HD, you should also go with 1080p. The frame rate can be between 24 and 240 fps.
  • 540p: Just one step from about 480p, this resolution setting is 960 x 540 pixels and was common 7-10 years ago. It was the beginning of the 16: 9 phase on mobile phones and elsewhere. The frame rate can vary between 24 and 60 frames per second.
  • 480p: This is the standard resolution (SD) with 640 x 480 pixels. Unlike most of the above settings, it uses an aspect ratio of 4: 3, not a 16: 9 ratio. Think of old-style televisions, and you know what SD is. If you're recording at 480p, the apps in this list will only give you options for 24, 25, and 30 fps.
  • Non-standard frame rates: For apps with non-standard frame rates, this means you can do this. Select something other than the usual one, such as: 24, 25, 30, 48, 50, 60, 96, 100, 120, 192, 200 and 240 fps.
  • Playback Rate Options: Some apps give you a playback frame rate. This is the rate at which the footage plays, not the one in which it was recorded. Ideally, the rates are the same, but you could also lose the synchronization of a particular effect you want to achieve. Only one app in this list offers refresh rate options.

Live Analytics

  • Zebra Stripes: Zebra stripes appear in areas of the image that are over- or under-exposed, helping you to show your shot. The lighting may need to be adjusted to get the correct exposure.
  • Image section: The image detail is similar to the zebra stripes, but the detail marks areas of the image that are so overexposed or underexposed that later no data can be fixed post.
  • Focus Peaking: Focus Peaking highlights the sharply focused areas of the shot, making it possible to keep the picture sharp in the desired locations.
  • False Colors: If zebra stripes are not good enough for you, you'll get a complete profile of your image exposure with fake colors. For example, Filmic Pro highlights properly exposed areas as green, while over- and under-exposed areas are referred to as blue and red, respectively.
  • Histograms: A histogram is a screen diagram that shows the light levels of an image. There is an underexposure on the left side of the chart and an overexposure on the right side of the chart, with the rest of the spectrum falling across the chart.

Temperature, Color, and Color Settings

  • Gamma Curves: Gamma Curves provide video prepared for color editing. Log and flat profiles look washed out at first glance, but take much more information from the camera sensor, so you are much more flexible in posting color correction.
  • Manual White Balance: The white balance ensures colors appear exactly in very different lighting conditions. If you want serious control, you can control the white balance settings manually with a good pro app.
  • Color Temperature: If you do not plan to do extensive color adjustments and color adjustments You can change the color temperature as you take it, as the app allows it. So you can change the look between a warm orange and a cool blue.
  • Tint Control: This goes hand in hand with the color temperature, but instead of going from the orange to the blue scale, you can control the colors from magenta to green.
  • UI Color Adjustment: Some apps allow you to customize the UI, such as: B. tilt indicator lines and menu lines. This can be helpful for personalization, making lines and text more readable on screen.

Audio

  • Audiometer: An audiometer is a visual tracker for the audio levels in your video. Too quiet, and you can not hear the recording. If you are too loud, there is a risk that you distort the audio unadulterated. To avoid this, watch out for audio clips.
  • Audio Clip Display: This normally red indicator shows you whether your audio clips are distorted. If this is the case, you will not be able to repair the distorted audio. Therefore, it is advisable to watch this display and keep the sound below this threshold.
  • Audio Format Options: The Standard Camera app records audio in either mono or stereo mode with 32-bit AAC tracks. Some of the apps you use here use Apple's default settings, while others allow you to choose from uncompressed formats such as PCM and AIFF.
  • Sample Rates (kHz): A sample rate controls the audio quality of your video. Standard sampling rates for video files are 16, 44.1 and 48 kHz. However, some editing programs require a certain sampling rate, so it is always helpful to have multiple options. With the popular iOS app, you can only use stereo or mono with 44.1 kHz.
  • Select an Internal Microphone: Depending on the iPhone model, there may be more than a few built-in microphones. Newer models have three models. If you can choose and choose from which microphone you record audio, the difference depends on where you are.

Video Format

  • HEVC support: HEVC, or H.265 is a high-efficiency video codec that can save a lot of storage space when recording. Apple's standard camera app supports this as well as most other apps in our graphic.
  • H.264: On the other hand, H.264 is still the default codec for smartphone videos. HEVC may not be supported by certain editing and playback software. Therefore, an app that can be included in H.264, welcome.
  • Bitrate: For some apps, you can adjust the bitrate, that is, the number of bits, where 1 bit equals 8 bytes, is transmitted per second. The higher the bit rate, the more data is recorded. We know that 4K has a higher quality than 1080p, but a 4K video with a higher bit rate is better than a 4K video with a lower bit rate. The bitrate is measured in Mbps (megabits per second), which equals 1,000,000 bps (bits per second).

System

. 1 Filmic Pro-Manual Video Camera

Undoubtedly, Filmic Pro is the most notable app for iOS video recording, and even professional filmmakers use it. Sean Baker's Tangerine (2015) and Steven Soderbergh's Unsane (2018) and High Flying Bird (2019) were filmed with Filmic Pro on the iPhone, among others. We live in a crazy time, with the iPhone in your pocket Hollywood content can be recorded – you only need the right app.

The very first comment about Filmic Pro is that it's not cheap, since it's a Hollywood-approved app. Filmic Pro is not that bad compared to traditional software, but at $ 14.99, not only is it the most expensive app on this list, it's also one of the most expensive apps you're likely to buy. Unfortunately, there is neither a free version nor a trial version. So you have to spend a lot of money to get access to the professional arsenal of Filmic Pro.

If you need to spend a little more, Filmic Pro also has a price of $ 13.99. The purchase of App was called a "Cinematographer Kit" and includes features like log and gamma curves, but more on that later. Filmic Pro does not contain a watermark and fortunately it is often updated with new features and bug fixes to keep your recordings up-to-date.

Filmic Pro also offers a good selection of editing tools. You can crop clips. Download clips; Adjust exposure, contrast, white balance, saturation, and hue; call the activity view (also known as share sheet); and save the Filmic Pro folder in your photo app.

Let us dive into the real meat and potatoes. Filmic Pro offers a wealth of features, including manual shutter speed, ISO and exposure settings. In addition, there is even a setting that allows you to choose between automatic, 50 Hz or 60 Hz illumination.

You can also set the automated focus, zoom, ISO, and shutter speed via "pull-to-point" slider, the only app on this list that allows you to do so, with these pull-to-point controls Focus and zoom, as well as shutter speed and ISO, means you can only select one from each group if you want to use two automated settings at the same time, such as automating focus and shutter speed, and zoom and ISO, but focus and zoom nicht.

Filmic Pro bietet Hilfslinien für das Seitenverhältnis, mit denen Sie Ihre Aufnahmen rahmen können, insgesamt acht – 16: 9, 17: 9, 3: 2, 1: 1, 2,2: 1, 2,76: 1, 4: 3 und 2,39: 1. Sie können wählen, ob Sie die Hilfslinien und die Ausgabe im Format 16: 9 verwenden möchten, um später im Postern zu beschneiden, oder Sie können das ausgewählte Seitenverhältnis sofort beschneiden.

Es gibt auch einen Videomo dus, in dem Sie ohne aufnehmen können Audio-Tracks und starten und stoppen Sie die Aufnahme mit den seitlichen Lautstärketasten. Alle oben genannten und die unten aufgeführten Funktionen können als Voreinstellung für den schnellen Zugriff zu einem späteren Zeitpunkt gespeichert werden. Andernfalls werden beim nächsten Öffnen der App alle Einstellungen auf die Standardeinstellungen zurückgesetzt.

Zwei fehlende Funktionen sind ein Video-Timer und eine Möglichkeit, versehentliches Starten und Stoppen zu verhindern. Filmic Pro verfügt jedoch über einen anamorphotischen Modus, der perfekt ist, wenn Sie ein anamorphes Objektiv oder einen Adapter haben. Anschließend kann die App den Videoinhalt in Echtzeit auspressen. Sie können Ihr Video auch umdrehen, wenn Sie externe DSRL-Objektive verwenden. Es gibt keine Neigungsanzeige, aber Sie können die Overlay-Regel für Drittel verwenden, um Ihre Aufnahme richtig auszurichten, und EIS kann je nach Situation aktiviert oder deaktiviert werden.

Es gibt keine Unterstützung für das Aufnehmen von Fotos während der Videoaufnahme. Sie können aber auch Zeitraffer direkt in der App aufnehmen. Mit Filmic Pro können Sie die Bildrate hier steuern, sodass Sie alle 1, 2, 3, 5, 10, 30, 45 oder 60 Sekunden ein Zeitraffer-Bild aufnehmen lassen. Sie können auch frei wählen, welches eingebaute Objektiv verwendet werden soll. Filmic Pro unterstützt mehrere integrierte Zubehörteile von Drittanbietern, z. B. DJI OSMO Mobile, Zhlyum Smooth 4, Movi Cinema Robot, Moondog Anamorphic-Objektiv und 35-mm-Adapter. Filmic Pro bietet sogar eine umfassende Fernbedienungs-App.

Filmic Pro bietet Optionen zum Ausblenden überlagerter Elemente auf dem Display während der Aufnahme. Sie können verhindern, dass vor der Kamera angezeigt wird, was im Sucher erscheint. Dies ist praktisch, wenn Sie stattdessen eine Verbindung zu externen Monitoren herstellen. Darüber hinaus können Sie eine Funktion mit dem Namen "Tap To Hide Interface" aktivieren, die genau das tut, was sich anhört. Wenn diese Option aktiviert ist, können Sie auf den Bildschirm tippen, um Elemente ein- und auszublenden. Es gibt auch eine Option zum Ausblenden des Fokus- und Belichtungs-Absehens, wenn Sie auf tippen, um den Rest der Oberfläche auszublenden. Sie können auch die Zoom-Wippe ausblenden.

Für alle, die beim Filmen alle Videodaten anzeigen möchten, ist Filmic Pro der richtige Weg. Die App ist die einzige, die Zebrastreifen, Bildausschnitte und falsche Farben bietet, und ist eine von zwei Apps in dieser Liste, die Fokusspitzen und Histogramme anbieten. Filmic Pro bietet sogar den Histogrammkuchen an, indem es drei Modi anbietet: Helligkeit, die die Lichtstärke in der Aufnahme misst; Composite / RGB, das die Farbe im Rahmen misst; und Wellenform, die detaillierte Informationen zur Belichtung Ihrer Aufnahme zeigt.

Falsche Farben in Aktion.

Bei Amazon: DJI osmo Mobile 2-Handheld-Smartphone-Gimbal [19659108] Wenn Sie letztendlich Geld für das Cinematographer Kit ausgegeben haben, erhalten Sie Zugriff auf Gammakurven, mit denen Sie in verschiedenen Farbprofilen aufnehmen können. Dies ist eine hilfreiche Funktion, wenn Sie das Filmmaterial später manuell bearbeiten. Filmic Pro umfasst natürliche, dynamische, flache und Protokollierungsprofile, von denen die beiden letztgenannten häufig in professionellen Umgebungen mit herkömmlichen Kameraeinstellungen verwendet werden. Wenn Sie Ihr Filmmaterial farbig gestalten möchten, sollten Sie sich vor dem Fotografieren einen Bildausschnitt machen lassen.

Natürlich können Sie mit Filmic Pro den Weißabgleich, die Temperaturfarbe und den Farbton sowohl im manuellen Modus als auch im automatischen Weiß einstellen Sie können den Weißabgleich mit einem von vier Voreinstellungen oder durch Auswahl von zwei benutzerdefinierten Voreinstellungen festlegen.

Sie können zwar die Farbe der Filmic Pro-Benutzeroberfläche nicht steuern, haben jedoch Zugriff auf die besten Audiosteuerelemente in biz. Sie erhalten ein Audiometer und eine Audio-Clipping-Anzeige sowie die Möglichkeit, mit PCM, AIFF oder AAC mit Abtastraten von 16,0, 44,1 oder 48 kHz aufzunehmen. Sie können auch zwischen den rückseitigen, vorderen und unteren Mikrofonen wählen. Was auch immer Sie von Ihrem Projekt benötigen, Filmic Pro hat Ihren Sound abgedeckt.

Filmic Pro unterstützt sowohl den neuen HEVC-Codec als auch den traditionellen H.264-Modus, mit der früheren Option "Toggle" die "Auflösung" -Einstellungen. Mit der App können Sie auch die Bitrate steuern. Mit den beiden Optionen "FiLMiC Quality" und "FiLMiC Extreme" erhalten Sie eine höhere Bitrate als der Standard von Apple.

Ob Sie ein herkömmliches iPhone-Display oder ein iPhone X-Modell haben Filmic Pro ist für Ihr Gerät optimiert. Die App bietet auf dem Startbildschirm 3D-Touch-Schnellaktionen für alle aktivierten Voreinstellungen, aber es gibt keine Integration von Siri Shortcut (zumindest noch nicht). Es gibt eine Apple Watch-App, die als Fernbedienung fungiert, und Filmic Pro kann Ihr Material geotagieren, wenn Sie möchten. You can't control screen brightness in-app, but you can save your footage automatically to your "Camera Roll" for easy access.

When it comes to resolution and frame rate, Filmic Pro has presets ranging from 24 fps to 240 fps, depending on whether you're shooting in 540p, 720p, 1080p, 2K, 3K, or 4K resolution. You can see which applies to which in the chart. However, it also has a variable frame rate tool that lets you choose anything from 3 fps to 240 fps, depending on the resolution. Filmic Pro is also the only app on this list that lets you choose a playback frame rate.

When it comes down to it, no app out there can beat Filmic Pro when it comes down to features. Filmic Pro has nearly everything you need to push your iPhone to its cinematic limits. However, it is expensive, especially if you get the Cinematographer Kit, when compared to some of the other options on this list. If you're looking to save some money on your video recording app of choice, you might want to consider one of the apps below.

2. ProCam 6

Compared to FilmicPro's price tag, ProCam 6 really isn't that bad. For $7.99, you get a capable video recording app. However, you'll find it falls behind other names on this list in a handful of categories.

There's no free version of ProCam 6, nor is there a free trial. The app does offer in-app purchases; If you want to shoot in 4K Max resolution, which takes high-res photos and stitches them together in superior 4K resolution, you'll need to pay $4.99, as well as an additional $2.99 for 4K Max time lapses. There are also filters packs available from $0.99 to $1.99, which you can apply during editing.

Luckily, ProCam 6 skips the watermark, but that's a given with no free version. Better yet, the app is frequently updated, so you don't need to worry about new software or iPhone bugs getting in the way.

ProCam 6 also includes a vast selection of editing tools. You can crop, rotate, flip, trim, straighten and correct perspective for videos, as well as adjust brightness, contrast, saturation, exposure, white balance, highlights, shadows, tint, color balance, sharpness, fade, grain, and scratches. There are also free and paid color filters you can apply, as well as vignette, fisheye, tilt-shift, macro, split, kaleidoscope, ripple, striped, hatched, and halftone effects. You can add music, adjust the volume of both the recorded and added audio track, and control the playback speed for audio and video.

When you dive into ProCam 6's camera features, the list is a bit hit or miss. You can control your shutter speed, ISO, and exposure; use one of nine aspect ratio guides (1:1, 4:3, 1.85:1, 1.91:1, 2:1, 2.20:1, 2.35:1, 2.40:1, and 2.45:1); use the side volume buttons to start and stop a recording; use a video timer for up to 60 seconds; and apply tilt indicators and overlay guides (rule of thirds, grid, and the golden spiral phi layout, the last of which has four orientations).

You can also control EIS; take photos in video mode; choose which lenses to use; and shoot time-lapses (with one image every second or every 5 minutes, with 298 more options in between at one-second intervals). Not too shabby, right? It also adjusts the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

However, many features are missing here. You can't create presets; set automated focus, zoom, ISO, or shutter speed; crop to your aspect ratio; shoot in video-only mode; prevent accidental starts and stops; shoot in anamorphic mode (which means no de-squeeze either); flip or rotate the screen; or switch lenses automatically. There are no integrated accessories, nor is there a remote app unless you have an Apple Watch.

Unlike all other apps on this list, ProCam 6 does not let you hide any on-screen elements when filming, so the interface could block some areas of the scene.

Live analytics is also a loss for ProCam 6. There are no options to view zebra stripes, image clipping, focus peaking, false colors, or histograms of any kind. If you're looking for this type of professional information, you'll need to look elsewhere.

ProCam 6 shoots with a standard gamma curve with no option to shoot in others. There are limited white balance controls, where you can only choose auto or select a spot from 2,000 K to 10,000 K and lock your setting, and you can't adjust the temperature color or tint of your video independently. You can, however, customize the UI color, if that's your interest.

ProCam 6 comes with a standard audiometer and audio clipping indicator, but no control over audio format options, sample rates, or internal mics. If you need to shoot in HEVC, you're in luck because the app only shoots in this format. Those of you looking to shoot in H.264 or change the bit rate will need to find another app, though, if you try out the 4K Max in-app purchase, it will up the bit rate to 150 Mbps from 50 Mbps.

ProCam 6 really excels with system functions. The app is optimized for all iPhones, to ensure proper on-screen formatting, and you have access to a "Video" option in 3D Touch, home screen Quick Actions to instantly open in video mode. There are Siri Shortcuts here, an Apple Watch app, and optional geotagging settings. You can control the brightness of the display only while in time-lapse mode, and you can auto-save footage to the "Camera Roll" album.

For resolution, you can shoot in either 480p, 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProCam 6 does not let you select a frame rate beyond the preset options, nor a playback frame rate.

3. ProCamera.

ProCamera is a similar alternative to ProCam 6. Both apps cost $7.99, with no free version or trial, which in turn means no watermark. Both apps are frequently updated and offer in-app purchases. ProCamera suggests you buy "Private Lightbox," a $0.99 security option that saves your footage in a Touch ID or Face ID-protected folder.

The apps continue their similarities in their lack of camera features. With ProCamera, you cannot create presents; set an automated focus, zoom, ISO, or shutter speed; shoot in video-only mode; use anamorphic mode (or de-squeeze anamorphic video); flip or rotate the viewfinder; use integrated accessories; or use a remote control app.

Unlike ProCam 6, in ProCamera, you also cannot use a video timer; control ISO or shutter speed independently; shoot time-lapse videos, or perform any video editing. As for aspect ratio guides, you only get the standard 16:9 ratio, which means there is no cropping to other ratios.

ProCamera, however, lets you control exposure, start and stop recording with the volume buttons, take photos in video mode, control EIS, and pick which lens to use. There's also a tilt indicator you can use, as well as three different overlay guides for the standard grid, rule of thirds, and golden ratio.

When you start recording, ProCamera will automatically hide on-screen elements for distraction-free filming. However, that may be a negative if you want to actually see some data when filming, and there's no way to turn the auto-hide setting off. And there is no setting to prevent accidental starts and stops, which helps avoid accidentally cutting a take short or recording unintended footage.

The app also offers focus peaking, giving you greater control over manual focus. But like ProCam 6, sadly, ProCamera skimps on zebra stripes, image clipping, false colors, and all histograms. But it does adjust the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

ProCamera does beat out ProCam 6 when it comes to temperature, color, and tone settings, as it allows you to control white balance, temperature color, and tint. For white balance, there's the standard auto setting, or you can choose from 2,500 K to 8,500 K and lock it in place, and there's also an option to long-press on a gray card you have in front of the camera to calibrate it. There's no UI color customization, however, nor are there gamma curves other than the standard.

There's an audiometer with audio clipping indicator, but no options for audio formatting, sample rates, or internal mics, nor can you adjust the bit rate of your video. However, you can shoot in either HEVC or H.264, which is always good to see in a professional app.

You'll find the same system functions in ProCamera that you do in ProCam 6. The app is optimized for iPhone X and newer models, with a "Video" option in 3D Touch Quick Actions on the home screen, as well as Siri Shortcuts. There's also an Apple Watch app and optional geotagging, and the ability to save your footage directly to the "Camera Roll" album. What's missing is the ability to control the screen brightness in-app, but to many, that won't be a huge sacrifice.

For resolution, you can shoot in either 480p, 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProCamera does not let you select a frame rate beyond the preset options, nor a playback frame rate.

4. Moment – Pro Camera

Moment is at its best when using its own professional-level iPhone lenses. Moment produces smartphone cases built to work with its lenses, which in conjunction work seamlessly with the app. More on that later. But that's not all that makes Moment a great video recorder.

Let's talk pricing: Moment used to have a free version, as well as a seven-day trial for the pro version, but as of version 3.9, it's strictly a paid app at $5.99. However, anyone who has the free version installed and updates to 3.9 will automatically get the pro version for free. That's a pretty sweet deal if you have an older version installed already.

If you're coming from the Filmic Pro section above, you might be a bit disappointed with Moment's selection of features, but that's not to say that the app isn't feature-filled.

Moment comes with shutter speed, ISO, and exposure control; a choice between 50 and 60 Hz lighting; an anamorphic mode with the option to de-squeeze to a saved file; an overlay guide for the rule of thirds, square videos, or the golden ratio; EIS control; lens choice; zebra strips, image clipping, and focus peaking; volume button support to start and stop recording; and integrated accessories (Moment's lenses). As for aspect ratio guides, you only get the default 16:9 look, but with the overlay button, you can also get a 1:1 square overlay to guide you.

On Amazon: Moment 1.33x Anamorphic Lens for iPhone

However, there's a long list of Filmic Pro features not present. There are no custom presets; editing tools; automated focus, zoom, ISO, or shutter speed abilities; options to crop to the aspect ratio; video-only mode; flip or rotate option; tilt indicator; taking photos in video mode; or time-lapse recording. There's also no companion remote control app, and you won't find a video timer, nor will you find a way to prevent accidental start and stops.

While there are no settings for hiding or unhiding elements on the screen during recording, Moment will automatically hide unneeded interface parts when you tap the record button, so you can see your scene in full view.

The missing features don't stop there. You won't find false colors visuals. Moment does include histograms, featuring composite/RGB and waveform options, but it lacks Filmic Pro's luminosity graph. You'll find default, flat, and log gamma curves, as well as manual white balance. As for temperature color, tint, or UI color control, you won't find that with Moment.

Moment gives you an audiometer and, subsequently, an audio clipping indicator. You don't, however, have any control over the audio formats, sample rates, or internal mics. What you do have control over is whether to shoot in HEVC or H.264, and you can choose your favored bit rate, either standard, medium, or high.

You'll find that Moment is perfectly optimized for iPhone X and newer devices so that no content will hide behind your notch. You don't have 3D Touch Quick Actions on the home screen, but Moment does support Siri Shortcuts, an Apple Watch app that can act as a remote control, optional geotagging, and auto-saving to the "Camera Roll" album. There's no option to control brightness in-app but, as you can see, there are plenty of pros to cancel out that con.

For resolution, you can shoot in either 720p, 1080p, or 4K resolution, and the frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. Moment does not let you select a frame rate beyond the preset options, nor a playback frame rate.

5. ProMovie Recorder

ProMovie Recorder's greatest asset is its price tag. First, it's the only app on this list to offer a free version. Best of all? The features between both the free and the paid version of the app are the same. So why give ProMovie any money? Well, you may be discouraged to see a giant watermark pasted on your videos. The solution? Pay the $2.99 fee to remove the watermark or buy the app right away for $2.99. Why not — even with the paid version, it's the cheapest app on this list.

However, there are some immediate drawbacks. ProMovie Recorder doesn't have a free trial, nor is it frequently updated. At the time of this article, ProMovie Recorder hasn't been updated in about 17 months. If you happen to run into any bugs, don't expect the ProMovie team to be patching it for some time, if at all.

While you can't create presets in ProMovie Recorder, you can control shutter speed, ISO, and exposure, and it adjusts the frequency depending on whether you're shooting under 50 or 60 Hz lighting.

Filmic Pro's automated focus, zoom, ISO, and shutter speed features are nowhere in ProMovie Recorder, but you do have access to 12 aspect ratio guides of 1:1, 4:3, 1.37:1, 3:2, 15:9, 16:9, 1.85:1, 2.00:1, 2.20:1, 2.35:1, 2.40:1, and 2.55:1. However, all video will record at 16:9 or 4:3, depending on how you want to shoot, so you'll need to do any cropping outside of the standard 16:9 and 4:3 options yourself in a video editor. There's also no video-only mode, video timer, or editing tools.

In happy news, you can start and stop recording via the side volume buttons via an advanced setting, as well as enable a lock to prevent accidental starts and stops when recording. Also, the app has support for an anamorphic mode, but you can't de-squeeze the video in-app. You can flip or rotate the video feed if needed, and there's both a tilt indicator and rule-of-thirds overlay guide to help you line up your frame. There's even "advanced" EIS in addition to standard EIS, claimed to give you a little extra stability over normal EIS, but we can't tell how much of an impact it has.

There are some nice options for hiding elements on the screen during recording. First, there's a view where the image fills up most of the screen with all the tools and elements overlayed on top of the scene. Second, there's another one that shrinks the scene down into the middle so that the tools and elements will not obstruct the scene view. Third, there's an option called "Full Screen Mode" which fills the scene up like in the first option, but which hides many of the on-screen elements. There's also a toggle in the settings that lets you disable the remaining camera info displayed on the screen, but if you keep this on, there's an "Auto-Hide" setting you can choose at different intervals that will hide everything on the screen except the scene during filming, even the record/stop button.

You can't take photos in video mode, nor can you produce a time-lapse, but you can choose which lens to use, and the app supports automatic lens switching. Unfortunately, there's no integrated accessories, no remote control app, nor any of the live analytics you might like to see, such as zebra stripes, image clipping, focus peaking, false colors, or histograms.

ProMovie Recorder shoots with a standard gamma curve, with no option to change it. You can control white balance by hand from between 2,500 K to 9,000 K, use the auto mode, choose between five presets, or calibrate with a gray card. You can't change the video's temperature color or tint independently, however, but you can alter the UI color customization if you'd like.

The app also comes with some decent audio features. Staple additions like the audiometer and audio clipping indicator are here, but, like Filmic Pro, you can also choose from audio format options (PCM and AAC) and your sample rate (44.1 and 48 kHz). Filmic Pro might have one more option in each category, but it's still nice to see ProMovie Recorder put in the effort here. However, you cannot pick a specific internal mic to record audio with.

ProMovie Recorder does allow you to shoot in either HEVC or H.264, whatever is more appropriate for your workflow, and it lets you select between five bit rates, either 5, 10, 15, 20, or 100 Mbps. Sadly, the app isn't optimized for Face ID devices, meaning the notch blocks options and menus. There are no 3D Touch quick actions on the home screen, Siri Shortcuts, or geotagging here, which feels like ProMovie Recorder spent more time on the "pro movie" features than iOS system functions, which I think most users would prefer anyway.

ProMovie Recorder does have an Apple Watch app, and you can control the brightness in-app, but you don't have the option to auto-save your footage to the Photos app. If you want to get your video off ProMovie Recorder, you'll need to go through its media viewer first.

For resolution, you can shoot in either 720p, 1080p, or 4K resolution, and it also gives you some non-standard 2K and 3K options at 2048 x 1152 and 3264 x 1836, respectively. The frame rate for each ranges from 24 fps to 240 fps, but not all resolutions support each frame rate. You can see which applies to which in the chart. ProMovie Recorder does not let you select a frame rate beyond the preset options, nor a playback frame rate.

In Conclusion

When it comes to professional video recording apps on your iPhone, there's no better choice than Filmic Pro. It offers the most features for controlling your recording, especially if you're someone with a professional background. Automated controls, expanded gamma curves, and so much more add up to an app that can produce a feature film.

However, Filmic Pro is expensive, and if you're someone new to the video game or someone who would rather put that money elsewhere, the other names on this list are capable as well. Moment stands out since you can pair its app with its lenses, but ProMovie Recorder, ProCam 6 and ProCamera all have their place for consumer shooting.

Which app on this list is the best? Filmic Pro. Which app is best for you? That's up to you to decide.

This article was produced during Gadget Hacks' special coverage on smartphone-based video creator tips for filming and editing. Check out the whole Videography series.

Don't Miss: How to Save YouTube Videos Directly to Your iPhone's Camera Roll

Cover image and screenshots by Jake Peterson/Gadget Hacks


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